And other people would draw stick figures or smiley faces.

People make drawings, like of their favorite cartoon characters.

... butthepersonalities on the screen don't impress me.

A still life?

It's not an animal we draw cartoons of or draw at all.

He drew people, anatomy, plants, animals, landscapes, buildings, water, everything.

To produce these animations, an animator at a studio has to anticipate what's going to happen in the actual game, and then has to animate that particular sequence.

The reason for that is that these characters are actually not real characters.

It's the clothing, the skin, without the presence of the character.

This is the crossroads for me.

And so I killed a character that's been in the newspaper for 15 years.

And then you want to decide, how are you going to draw the character?

Leonardo was a man that drew everything around him.

People, if they drew a stick figure or a smiley face, it actually made it into the bill.

The Studio Museum was founded in the late 60s.

No. It should be Go Go Gadget!

He has requested that his painting equipment... and other personal effects... be placed in his room.

I've made more than 1,100 portraits myself for newspapers, over the course of 300 30 years, sorry, 30 years only.

Comic books. Quantum physics video games.

Drew Berry Animations of unseeable biology

Even my books on children have cute, fuzzy animals.

Thomas P. Campbell Weaving narratives in museum galleries

In general... I paint things that are hidden behind things.

The portrait at the Palace of the Legion of...

In 1951, Escher made this drawing. He thought he created an animal fantasy.

But unfortunately, one of the things kids liked to draw was cartoon characters.

Now, this lady, on the wall of the dung cake heap, has made a painting.

It's in the same gallery or in the same museum.

And someone sits down and draws a picture.

A poet with no poems, a painter with no paintings...

And then animators can take the data of the motion of those markers and apply them to a computer generated character.

I kind of give my turtle hands just to make them an easier cartoon character to work with.

I'd been to the Palace of the Legion of Honor, the art gallery.

I would do birthday parties, weddings, divorces, anything for anyone who wanted to use my services.

Torsten Reil builds better animations

And there's also a balance between the visible and the invisible in comics.

For this family, he made this still life painting.

Straight up through the courtyard into a little window into the attic, where somebody is working at the drawing board.

Some people are born to write books, symphonies... paint pictures, build bridges.

We asked people to draw what it was that they saw.

People must suggest ideas to him Before he paints them.

And I made some sketches on napkins little boxes and Morandi like things that I used to do.

And the problem is that a lot of people suck at drawing, and they get bummed out at this, sort of, you know, stick figure, awful little thing that they created.

Animators had to actually animate them.

This was an early collage comic by a fellow named Jason Lex.