First is physiological.

The sound doesn't have to be valuable to the animal I could raise the animal in something that could be hypothetically valuable, like the sounds that simulate the sounds of a native language of a child.

Manipulate sound files

Sound Processor

VSV The Voice of the voiceless (Voix des sans voix)

Sound synthesis and audio signal processing environment

Manage your PulseAudio sound server

Don't just bombard them with stuff.

I think that's got to be scaring a lot of animals away.

Once the animal knows click, food, click, food, click, food so click is food we bring it in a cage with a hole, and actually the animal learns to stick the nose in the hole under which a target scent is placed, and to do that for five seconds five seconds, which is long for a rat.

Peter Tyack The intriguing sound of marine mammals

So the music has to be loud enough to be heard above that.

Chris Anderson You guys were amazing.

So no one actually needs to muck up the production of sound with wire vibrations.

Uh oh.

Tetrahedral Microphone Processor for Ambisonic Recording

(distorted voices)

Very few nonhuman mammals can imitate sounds.

So, for example, if I have, like This is the sound of purple.

Being able to treat sound as an instrument, and be able to dig for more abstract sounds and things to play live, mixing electronics and acoustics.

Okay.

And what I see is that the animal's brain sets up its initial processing of that sound in a form that's idealized, within the limits of its processing achievements to represent it in an organized and orderly way.

Be moderate in your bearing, and keep your voice low. Surely the most repulsive voice is the donkey's.

And walk moderately and soften your voice indeed the worst voice is the voice of the donkey.

Be modest in thy walk, and lower thy voice the most hideous of voices is the ass's.'

And be modest in thy gait and lower thy voice verily the most abominable of voices is the voice of the ass.

And be moderate (or show no insolence) in your walking, and lower your voice. Verily, the harshest of all voices is the voice (braying) of the ass.

And moderate your stride, and lower your voice. The most repulsive of voices is the donkey s voice.

Be moderate in your stride and lower your voice. Verily the most disgusting of all voices is the braying of the donkey.

Be modest in thy bearing and subdue thy voice. Lo! the harshest of all voices is the voice of the ass.

Be modest in your bearing, and lower your voice. Indeed the ungainliest of voices is the donkey s voice.

Walk modestly, and lower your voice the most hideous of voices is the braying of the donkey.

And be moderate in your pace and lower your voice indeed, the most disagreeable of sounds is the voice of donkeys.

Be moderate in your walking and your talking. The most unpleasant sound is the braying of donkeys.

And pursue the right course in your going about and lower your voice surely the most hateful of voices is braying of the asses.

Walk modestly and lower your voice, for the ugliest of all voices is the braying of the ass.

And be moderate in thy pace, and lower thy voice for the harshest of sounds without doubt is the braying of the ass.

The given sound could not be loaded. The sound will not be changed.

And of course, being the participator of the sound, and that is starting from the idea of what type of sound I want to produce for example, this sound.

Woman Okay.

The second way in which sound affects you is psychological.

Where's the sound coming from?

The radio is a bit loud.

What was that?

So for example I can rear an animal in an environment in which there is meaningless dumb sound, a repertoire of sound that I make up, that I make, just by exposure, artificially important to the animal and its young brain.