Your touching tale is of no use.

It's true. It's moving.

Now it's not enough just to tell a story that's powerful but people need to experience the story.

And thanks for listening to what I had to say.

I was very impressed by his story.

I was very moved by her story.

I mean, in real life, things are much more nuanced and complex, and there's all of these overlapping stories intersecting and touching each other.

Not interested.

I am interested in this story.

I hammer out a sob story, and everybody's blubbering' all over me.

We were deeply moved by her story.

This is the sensory part of the program, people.

I am very interested in these stories.

Our feeling here is that this is as stark and moving a piece of drama as we've ever presented.

That was my story. Thank you very much.

Because good storytelling is all about emotional connection.

He was deeply moved by the story.

And I remember a particular one night that, when you told that story of I don't know where you are Dr. Nuland of William Sloane Coffin it made me think of it.

And that really resonated with me, because I want to tell you a little story about being an impostor and feeling like I'm not supposed to be here.

He talks about his horses, his women and duels about his soldiers and hunts, talks and talks and talks...

I don't think you'd care very much for that one anyway.

Their stories were so horrific, and so mind blowing and so on the other side of human existence, that to be perfectly honest with you, I was shattered.

I was interested in the idea of why and how I could create a new story, a new narrative in art history and a new narrative in the world.

How can that not make you optimistic?

We tell our stories, and a person without a story does not exist.

I had bought into the single story of Mexicans and I could not have been more ashamed of myself.

The story Americans tell, the story upon which the American dream depends, is the story of limitless choice.

Perhaps we feel that many of our relationships have not had closure.

I feel like the hero of that Harlan Ellison story titled I Have No Mouth and I Must Scream.

And I appreciate you guys listening to this story. Thanks very much.

They give us our identity and a sense of community.

I took a beautiful, sensitive story and turned it into a turgid, boring movie.

99. The legislation also considers as an employment related accident an accident sustained by a worker

At the EG conference in December 2007, artist Jonathan Harris discusses his latest projects, which involve collecting stories his own, strangers', and stories collected from the Internet, including his amazing We Feel Fine.

But he made me feel I was telling him a fabulous story.

That has a pretty guilty ring to it. I'd never use it in one of my stories.

I'm not interested in your story.

Benefit in the case of an accident at work or an occupational disease The protection of persons who have suffered an accident at work is regulated by the Law On Compulsory Social Insurance Against Accidents at Work and Occupational Diseases of 2 November 1995, providing that an insured person, who has suffered an accident at work or has contracted an occupational disease, enjoys the right to the following types of insurance indemnity

Good storytelling is crafting a story that someone wants to listen to.

And I heard stories that shattered all the other stories.

Instead, I'm really interested in building tools that allow large numbers of other people to tell their stories, people all around the world.

We connect events and emotions and instinctively transform them into a sequence that can be easily understood.

Because in its 400 years of existence, storytellers never evolved the book as a storytelling device.

Today, I would like to tell you a story, the story of a big change, and the story of the people who made this change possible.

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