Careful of these tiles. They're slippery.

And you'll notice you see a dark brown tile at the top, and a bright orange tile at the side.

The four blue tiles on the left are gray.

The seven yellow tiles on the right are also gray.

We've got bubbles going up there, then suds at the top with lumpy tiles.

Where do you get lumpy tiles? Well, of course, you don't.

So you see it that way.

Valentino said there's nothing like tile for a tango.

All right? Whereas on the right, the two tiles look nearly the same.

Here you see four gray tiles on your left, seven gray tiles on the right.

That is your perceptual reality. The physical reality is that those two tiles are the same.

There's an aerated brick I did in Limoges last year, in Concepts for New Ceramics in Architecture.

Her crossing the fragmented tiles, faltering at the step to the street, droning, not looking at me, Can you help me?

Whereas on the right, the information is consistent with those two tiles being under the same light.

Why? Because if the tile in that shadow were in fact in shadow, and reflecting the same amount of light to your eye as the one outside the shadow, it would have to be more reflective just the laws of physics.

Of course, the bone in fine bone china gives it its translucency and also its strength, in order to make these really fine shapes, like this deer.

We have two identical tiles, on the left, one in a dark surround, one in a light surround.

Notice that on the left the two tiles look nearly completely opposite one very white and one very dark.

But I get a lot of toilets, and so you just dispatch a toilet with a hammer, and then you have lumpy tiles.

It had, by that time, acquired a coat of black enamel, so that it looked nothing more than a fairly interesting black statuette.

So if area is what interests us, then one thing which is natural to do is to tile the area of this particular shape and simply count how many tiles it takes to cover it completely.

I'm not going to change those tiles at all, but I'm going to reveal the rest of the scene and see what happens to your perception.

Two five month courses in concrete forming and tile setting, made possible through project contributions, were continued in 1996 97 with an enrolment of 33 trainees.

Subjects of the investigations were none ablative materials (fibre reinforced ceramics), ablative materials, flexible (FEI) and multilayer insolations (MLI) as well as carbon fibre reinforced plastic (CFRP) plates and sandwich panels.

Tile World

Block Attack Rise of the Blocks

Textiles Glass and ceramics

Porcelain or black stone.

It's not just the vase.

So this is a cinder block, uncoated, and you can see that it's porous, it absorbs water.

Go get some 28s.

I'd like ceramics.

Fine bone china this is a real classic.

And he said, Ceramics. And who are you?

Any 28s left?

We're not taking this porcelain tiger!

Still, you don't just break a Song vase.

Most of the news in America won't show really gory images and this showed American soldiers in uniform strewn about a floor, a cold tile floor.

ASCs are currently used for wear resistant parts (seals and valves), cutting tools, bearings and thermal barrier coatings.

What I have here is a cinder block that we've coated half with a nanotechnology spray that can be applied to almost any material.

Brick

Brick

Bricks

I'm interested in oriental pottery.

Pottery, china and earthenware